Sainokuni
Direction and Violin
Mendelssohn, PatKop and Schubert
Schubert, Gesualdo, Kurtág and others
Anonymus
Byzantine Chant on Psalm 140, arranged for solo violin and string orchestra by Patricia Kopatchinskaja
Franz Schubert (1797–1828)
Death and the Maiden, String Quartet No. 14 in D minor Op. post. D 810, arranged for string orchestra by Patricia Kopatchinskaja
Franz Schubert
Der Tod und das Mädchen D 531, arranged for voice and string orchestra by Michi Wiancko
Carlo Gesualdo (1566–1613)
Moro, lasso, al mio duolo from Madrigal Book 6
György Kurtág (*1926)
Ligatura-Message to Frances-Marie (The Answered Unanswered Question) Op. 31b
György Kurtág
Ruhelos from Kafka-Fragmente for Solo Violin Op. 24
Programme without interval
Running time: approx. 1 hour
Alongside love, the music's "favourite theme" is clearly that of death. With this programme, Patricia Kopatchinskaja has created a kind of meditation on death, a reflection in various images, bizarre, sarcastic, ironic, daring...
It is only a short step from the rattling "Dance of Death" in the Renaissance to Franz Schubert's song and string quartet Death and the Maiden: death always dances (and sings?) along. Does it help to invoke the Lord God in the face of this threat? This is what a Byzantine psalm tries to do: quietly, pleadingly. Things become more complicated with the notorious Carlo Gesualdo. His madrigal Moro, lasso, al mio duolo is the music of a murderer. And Kurtág raises the question of whether death means eternal peace at all. Or how else should one interpret his shortest piece for violin? Ruhelos? (Restless?)
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