Brugg
Direction and Cello
Mendelssohn, Tavener, Mustonen und Tschaikowski
Mozart, Mendelssohn, Messager and Mustonen
Felix Mendelssohn Bartholdy (1809–1847)
Symphony for Strings No. 10 in B minor, MWV N 10
André Messager (1853–1929)
Barcarolle for Cello, String Orchestra, and Harp
Olli Mustonen (*1967)
Partita for Cello and Strings (World Premiere)
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Wolfgang Amadeus Mozart (1756–1791)
String Quintet in G minor, K. 516
Version for string ensemble
Programme with interval
Running time: approx. 1.5 hours
In this concert, the proverbial three "Bs" of music history – Bach, Beethoven and Brahms – face some competition from four "Ms": Mendelssohn Bartholdy, Messager, Mustonen and Mozart.
The programme opens with the short, melancholic String Symphony No. 10 by the fourteen-year-old Felix Mendelssohn Bartholdy. It consists of a single movement, structured as a slow introduction followed by an Allegro.
The rocking rhythms of André Messager's small character piece Barcarolle have been enjoying a renaissance in music salons and concert halls worldwide since the rediscovery of the version for cello and strings.
Wholly new sounds will be heard at the world premiere of Olli Mustonen’s Partita, a commission for CAMERATA BERN and Artistic Partner Steven Isserlis.
W.A. Mozart's String Quintet in G minor closes the circle of "Ms" and "Bs": his work from 1787 later went on to influence Johannes Brahms.
This concert is also available as part of a subscription
Ticket pricing:
CHF 30.–/ 45.–/ 65.–/ 85.–
CHF 5.– for children and teenagers 18 and under
Discounts (for all categories):
20% for members of the Friends of CAMERATA BERN
50% for young adults aged 19 to 30
30% for KulturLegi cardholders
Kultur-GA: free admission for remaining same-day seats
Refugees (with ID): free admission for remaining same-day seats
In-depth insights into the concert programme, with detailed descriptions of the works and biographies of participating artists. The evening programme booklet is available (in German only) as a PDF download starting approximately one week before the concert and is distributed free of charge at the concert.
The texts are produced in collaboration with the Institute for Musicology at the University of Bern.
Background information and context for the programmes, with musical sneak peeks and sound bites from the performers.
The podcast is available (in German only) from approximately 10 days before the concert.