12nach12
Piano and Direction Meesun Hong Coleman
Violin and Direction
Haydn, Dvořák, Piazzolla and others
Joseph Haydn (1732–1809)
Presto – first movement from the Divertimento in E flat major, Hob. II:6
Antonín Dvořák (1841–1904)
Moderato – first movement from the String Serenade in E major, Op. 22
Ernani Aguiar (*1950)
Quatro Momentos Nº 3
Othmar Schoeck (1886–1957)
Sommernacht – Pastoral Intermezzo for string orchestra, Op. 58
Arthur Barbosa (*1965)
Frevo and Recuerdos Nº 1
Astor Piazzolla (1921–1992)
Fuga y Misterio
José Bragato (1915–2017)
Saudade for cello and string orchestra
Joseph Haydn
Finale.Presto – fifth movement from the Divertimento in E flat major, Hob. II:6
Programme without interval
Running time: approx. 1 hour
Some tours leave lasting memories. In early October 2001, CAMERATA BERN set off on its first concert tour to South America. Over two weeks, the ensemble performed in São Paulo, Rio de Janeiro, Montevideo, Rosario and Buenos Aires. A quarter of a century later, ensemble member Martin Merker is unearthing not only the music the ensemble played in South America, but also the music it brought back home.
Framed by two movements from Joseph Haydn's Divertimento in E flat major, the programme focuses on music by South American composers of three generations: the Argentinians Astor Piazzolla and José Bragato, and two Brazilian composers still living today, Ernani Aguiar and Arthur Barbosa. Preceding them is the Moderato from Antonín Dvořák's String Serenade, one of the best-loved pieces in the string ensemble repertoire. At the heart of the concert, Swiss composer Othmar Schoeck provides a moment of calm, like a mild, thoroughly Central European summer night.
Admission free – donations welcome
In-depth insights into the concert programme, with detailed descriptions of the works and biographies of participating artists. The evening programme booklet is available (in German only) as a PDF download starting approximately one week before the concert and is distributed free of charge at the concert.
The texts are produced in collaboration with the Institute for Musicology at the University of Bern.