
Divertimento!
Direction and Violin
Bartók, Kodály/Veress, Lourié und Kopatchinskaja
Beethoven, Bach, Britten and others
Ludwig van Beethoven (1770–1827)
Cavatina from the String Quartet No.13 in B flat major op. 130
Version for strings
Hildegard von Bingen (1098–1179)
Rex Noster Promptus Est and O Virtus Sapiente
Johann Sebastian Bach (1685–1750)
Concerto for violin and strings in D minor BWV 1052R
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Thomas Adès (*1971)
O Albion from Arcadiana, arranged for string orchestra
Frank Bridge (1879–1941)
Lament for string orchestra H. 117
Benjamin Britten (1913–1976)
Variations on a theme by Frank Bridge, Op. 10
Programme with interval
Running time: approx. 1.5 hours
Mythical England resounds in Thomas Adès' O Albion, a movement from the string quartet Arcadiana. It’s as if listening to a time when everything was still good. In her debut with CAMERATA BERN, violinist Maria Włoszczowska combines this idyll with Benjamin Britten's finely crafted Variations on a Theme of Frank Bridge. A kindred spirit to Adès, Britten's variations are based on one of the Three Idylls by his revered composition teacher Frank Bridge.
Ludwig van Beethoven also created a unique moment of pause and internalization with the Cavatina in his 13th String Quartet. The program escalates into mystical rapture with two arranged chants by Hildegard von Bingen. And with its rougher, almost gruff tones, Johann Sebastian Bach's Concerto in D minor provides a contrast – baroque virtuosity in a minor key.
This concert is also available as part of a subscription
Ticket pricing:
CHF 45.–/ 65.–/ 85.–
CHF 5.– for children and teenagers 18 and under
Discounts (for all categories):
20% for members of the Friends of CAMERATA BERN
50% for young adults aged 19 to 30
30% for KulturLegi cardholders
Kultur-GA: free admission for remaining same-day seats
Refugees (with ID): free admission for remaining same-day seats
In-depth insights into the concert programme, with detailed descriptions of the works and biographies of participating artists. The evening programme booklet is available (in German only) as a PDF download starting approximately one week before the concert and is distributed free of charge at the concert.
The texts are produced in collaboration with the Institute for Musicology at the University of Bern.
Background information and context for the programmes, with musical sneak peeks and sound bites from the performers.
The podcast is available (in German only) from approximately 10 days before the concert.