12nach12
Direction and Cello Dénes Várjon
Piano
Bartók, Kodály/Veress, Mendelssohn and PatKop
Felix Mendelssohn Bartholdy (1809–1847)
Violin concerto in D minor MWV 03
PatKop (*1977)
Danses Macabres
—
Zoltán Kodály (1882–1967)
Marosszék Dances arranged for CAMERATA BERN by Sándor Veress
Béla Bartók (1881–1945)
Divertimento for string orchestra Sz.113 BB.118
Programme with interval
Running time: approx. 2 hours
It is a work full of youthful energy and emotional immediacy: Felix Mendelssohn wrote his Violin Concerto in D minor when he was just 13 years old. For Artistic Partner Patricia Kopatchinskaja, it is much more than a youthful work; it is a matter close to her heart. “As long as I can move, I will play this concerto,” she says. “Because it is a conversation with a person who does not yet know exactly, but feels infinitely, and who pursues this feeling without fear or hesitation.”
Kopatchinskaja also contributes her own new composition to the program. Her Danses Macabres gnash their teeth. You can hear the skeletons rattling, and laughing Death has put on a frozen mask: macabre dances for a macabre time. Sándor Veress' arrangement of Zoltán Kodály's Marosszék Dances contrasts this with vitality, though tinged with melancholy.
Béla Bartók's Divertimento is the music of a relaxing summer in the Swiss chalet of his patron Paul Sacher. It’s full of lively dance rhythms, and echoes Hungarian, Romanian, and Viennese styles. Only the middle section, a funeral march, reflects on the other side of such exuberance.
This concert is also available as part of a subscription
Ticket pricing:
CHF 30.–/ 45.–/ 65.–/ 85.–
CHF 5.– for children and teenagers 18 and under
Discounts (for all categories):
20% for members of the Friends of CAMERATA BERN
50% for young adults aged 19 to 30
30% for KulturLegi cardholders
Kultur-GA: free admission for remaining same-day seats
Refugees (with ID): free admission for remaining same-day seats
In-depth insights into the concert programme, with detailed descriptions of the works and biographies of participating artists. The evening programme booklet is available (in German only) as a PDF download starting approximately one week before the concert and is distributed free of charge at the concert.
The texts are produced in collaboration with the Institute for Musicology at the University of Bern.
Background information and context for the programmes, with musical sneak peeks and sound bites from the performers.
The podcast is available (in German only) from approximately 10 days before the concert.