
Spiez
Violin Sonja Starke
Violin Anna Puig Torné
Viola Thomas Kaufmann
Cello
Haydn, Schumann, Folk Music
Bartók, Kodály/Veress, Lourié and Kopatchinskaja
Arthur Lourié (1891–1966)
Concerto da Camera for violin and string orchestra
PatKop (*1977)
Danses Macabres
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Zoltán Kodály (1882–1967)
Marosszék Dances arranged for CAMERATA BERN by Sándor Veress
Béla Bartók (1881–1945)
Divertimento for string orchestra Sz.113 BB.118
Programme with interval
Running time: approx. 2 hours
Arthur Lourié, still one of the great unknowns of the twentieth century, wrote his Concerto da Camera while in exile in the USA in the midst of the Second World War. Its six short movements blend neobaroque gestures with playful elements of 1980s-era Soviet post-serial music in a visionary synthesis.
Artistic partner Patricia Kopatchinskaja contributes a new composition to the concert. Her Danses Macabres gnash their teeth. You can hear the skeletons rattling, and laughing Death has put on a frozen mask: macabre dances for a macabre time. Sándor Veress' arrangement of Zoltán Kodály's Marosszék Dances contrasts this with vitality, though tinged with melancholy.
Béla Bartók's Divertimento is the music of a relaxing summer in the Swiss chalet of his patron Paul Sacher. It’s full of lively dance rhythms, and echoes Hungarian, Romanian, and Viennese styles. Only the middle section, a funeral march, reflects on the other side of such exuberance.
This concert is also available as part of a subscription
Ticket pricing:
CHF 30.–/ 45.–/ 65.–/ 85.–
CHF 5.– for children and teenagers 18 and under
Discounts (for all categories):
20% for members of the Friends of CAMERATA BERN
50% for young adults aged 19 to 30
30% for KulturLegi cardholders
Kultur-GA: free admission for remaining same-day seats
Refugees (with ID): free admission for remaining same-day seats
In-depth insights into the concert programme, with detailed descriptions of the works and biographies of participating artists. The evening programme booklet is available (in German only) as a PDF download starting approximately one week before the concert and is distributed free of charge at the concert.
The texts are produced in collaboration with the Institute for Musicology at the University of Bern.
Background information and context for the programmes, with musical sneak peeks and sound bites from the performers.
The podcast is available (in German only) from approximately 10 days before the concert.