Freud und Leid
Direction and Cello Dénes Várjon
Piano
Tavener, Mozart, Kurtág and Schumann
Tavener, Mozart, Kurtág and Schumann
John Tavener (1944–2013)
Eternal Memory for cello solo and strings
Wolfgang Amadeus Mozart (1756–1791)
Piano Concerto No. 13 in C major KV 415
—
György Kurtág (*1926)
Circumdederunt / Schatten / Kroo Gyorgy in memoriam for cello solo
Robert Schumann (1810–1976)
Piano Quintet in E flat major Op. 44, version with string orchestra
Programme with interval
Running time: approx. 1.5 hours
As a time-based art, music exists outside of memory only in the moment it is heard. And often not even then. The composer György Kurtág is a master of musical remembrance. Many of his pieces bear the addition “in memoriam”. With Kroó György in memoriam, Kurtág remembers a renowned Hungarian musicologist. Artistic partner Steven Isserlis in turn commemorates Kurtág's 100th birthday with this piece for solo cello.
With Eternal Memory for cello and strings, John Tavener explores the timelessness of both memory and of a future paradise. Robert Schumann’s Piano Quintet in E flat major offers a contrast that is powerful and fully rooted in the here and now. In Wolfgang Amadeus Mozart’s festively elegant Piano Concerto in C major, the Hungarian pianist Dénes Várjon can also be heard: a universal musician with exceptional technical and profound musical abilities.
This concert is also available as part of a subscription
Ticket pricing:
CHF 30.–/ 45.–/ 65.–/ 85.–
CHF 5.– for children and teenagers 18 and under
Discounts (for all categories):
20% for members of the Friends of CAMERATA BERN
50% for young adults aged 19 to 30
30% for KulturLegi cardholders
Kultur-GA: free admission for remaining same-day seats
Refugees (with ID): free admission for remaining same-day seats
In-depth insights into the concert programme, with detailed descriptions of the works and biographies of participating artists. The evening programme booklet is available (in German only) as a PDF download starting approximately one week before the concert and is distributed free of charge at the concert.
The texts are produced in collaboration with the Institute for Musicology at the University of Bern.
Background information and context for the programmes, with musical sneak peeks and sound bites from the performers.
The podcast is available (in German only) from approximately 10 days before the concert.